Canadian-American soprano Molly Netter enlivens complex and beautiful music, old and new. Noted for her “natural warmth” (LA Times) and “clear, beautiful tone” (NY Times), Molly’s voice can be heard on six GRAMMY-nominated albums.
Highly sought after as a soloist, recent engagements include solo debuts with the New York Philharmonic, Los Angeles Philharmonic, Julia Wolfe’s “Steel Hammer” at Carnegie Hall, Reena Esmail’s “History of Red” with Albany Symphony, and Handel’s Messiah with the Johnstown and Fort Worth Symphonies. Netter has appeared with the Chicago Symphony Orchestra, New World Symphony, Boston Early Music Festival, and with Joe Hisaishi and Masaaki Suzuki in Japan.
2025-26 solo engagements include Bach’s B Minor Mass with San Antonio Philharmonic, Mozart’s Requiem with Bach Society of St. Louis, “the Secret Garden” with Voices of Music in California, Praetorius’s Christmas Vespers with Apollo’s Fire, and composer Amy Beth Kirsten’s album release featuring a world premiere written for Netter.
Netter serves on the voice faculty at Oberlin’s Baroque Performance Institute.